Starting the final month of 2025 by diving into the first of 2 new collaborative EPs from Atlanta, Georgia emcee Jay NiCE & the local Dump Gawd himself Tha God Fahim. Both of whom have worked with each other countless times in the past several years, teaming up for the collab album Strictly 4 My D.U.M.P.E.R.Z. during the spring of 2018 & the Bloodspiller extended play 3 years ago. Dump Gawd: Hyperbolic Time Chamber Rap 12 produced by Nicholas Craven became their greatest joint offering yet, coming off the 17th as well as the 18th & 20th chapters going back-to-back with not 1 but 2 installments.
“Cultivating” begins with a soul sample referencing the greatest basketball player of all-time Michael Jordan alongside 2-time WWE Hall of Famer, former 16-time WWE world champion, WWE Intercontinental Champion, 6-time WWE United States Champion, 6-time WWE tag team champion & 9-time NWA World’s Heavyweight Champion Ric Flair whereas “Deathtouched” likens their verses to The Jackson 5 & The Beatles combined.
We get some more chipmunk soul vibes on “I Kno What to Do” talking about nobody having the ability to dump like him regardless of how talented they are & once the drumlessly soulful “Let ‘Em Know” explains that the Dump Gawd remains destructive even in bunches, “Lucrative Offers” takes the boom bap route incorporating sampling into the fold so they can talk about meeting their competitors in the middle of the battlefield.
“Major League” gets the last few minutes of Dump Gawd: Hyperbolic Time Chamber Rap 21 rollin’ with both MCs looking for payback on those from way back who hate seeing their money coming in haystacks & “Operation” sends it all off in the form of a crooning boom bap outro expanding on the topic of the cash flow, clarifying that it’s an everyday operation that requires patience & persistency.
Season 2 of the Dump Gawd: Hyperbolic Time Chamber Rap saga has mostly been collaborative efforts with Jay NiCE & I want to let it be known that none of them are wack by any means, but I prefer some more than others if that makes any sense. And the 1st of 2 new entries that we’ve gotten 12 hours apart from one another via YouTube could be my favorite, focusing less around the drumless elements than the predecessor did last month & swapping out the conscious lyricism in favor of slight boom bap influences.
Score: 8/10
