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Roland launches software version of its classic CR-78 Drum Machine

sonfapitch by sonfapitch
January 20, 2026
in Music Production
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Roland launches software version of its classic CR-78 Drum Machine
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The Roland Cloud is growing once again with the introduction of the CR-78 Software Rhythm Composer, which “authentically recreates” the sound of the original vintage CR-78 drum machine.

Driven by Roland’s Analog Circuit Behaviour (ACB) technology, the CR-78 software version is brought into the present by modern sequencing features, individual sound mixing and tuning, DAW tempo sync, drag-and-drop audio/MIDI support and more.

“Well before the famous TR-808 and TR-909 revolutionised hip-hop and dance, the CR-78 CompuRhythm had a massive influence on the music world,” Roland says.

“Debuting in 1978 as Roland’s first programmable rhythm machine, the CR-78 was quickly adopted by musicians and producers of the era seeking new rhythm textures. Its fat analog sound and distinctive pulse are integral to countless hits across many genres, from new wave and early electronic music to mainstream pop and rock.”

Roland CR-78
Credit: Roland

The new software version of the CR-78 sports a familiar interface based on the original CR-78, with selectable wood panel and black vinyl skins.

There are controls for rhythm patterns, instrument sounds, shuffle, fills, volume balance, fade-in/fade-out, and more.

Where the original CR-78 offered slots for four pattern variations, Roland’s new software version provides a detailed pattern view where users can enter, delete and fine-tune steps, control instrument levels, and adjust individual parameters like tuning and decay.

The CR-78 is available now via a Roland Cloud Ultimate membership or Lifetime Key purchase. Until 28 February, a Lifetime Key is available for an introductory price of $49 (regular price $199).

Learn more at Roland.

Sam Roche

Sam is the Associate News Editor for Guitar.com and MusicTech. Thoroughly immersed in music culture for the majority of his life, Sam has played guitar for 20 years, studied music technology and production at university, and also written for the likes of MusicRadar, Guitar World, Total Guitar and Metal Hammer.

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