Sonfapitch News and Blog
  • Music Production
  • Music
  • Hip Hop News
  • Music Business News
  • Shop
No Result
View All Result
Sonfapitch News and Blog
  • Music Production
  • Music
  • Hip Hop News
  • Music Business News
  • Shop
No Result
View All Result
Sonfapitch News and Blog
No Result
View All Result

Timeless sound in production: lessons from St. Lucia on blending past and present

sonfapitch by sonfapitch
March 27, 2025
in Music Production
0
Timeless sound in production: lessons from St. Lucia on blending past and present
399
SHARES
2.3k
VIEWS
Share on FacebookShare on Twitter


What are some of your favorite processing and resampling techniques?

I have a few amps and outboard effects in my studio that I love running things through.

Often the goal isn’t even to make things sound ‘better’, the sounds are already so good. It’s more to give them more of a unique sound of my own and almost make them slightly smaller and bring them into my world more.

I honestly barely use any effects plugins in my sessions because I’ve learned that I get more unique sounds by using what I have in my studio. You could obviously do the same thing with plugins, but I like limiting myself as much as possible to what I have that’s around me. I feel like people are drowning in options these days, and it’s kinda a luxury to be limited. So almost every instrument I record I either mult the sound out (meaning send it to and record back in) while I’m recording to my Stereo Space Echo RE201 setup and Dimension D.

I then just have those tracks as the effects already in my session and I can blend them as I see fit. I’m very conscious of phase and so I always make sure that the Dimension D or whatever I record back in is phase aligned using a plugin called Auto Align that is very useful, it might seem like a small thing but you’d be surprised at home much of a difference it makes, especially over the course of a whole session.

So after that initial recording, depending on the sound, I’ll try reamping the sound through one of my amps (I have a Vox AC30, a Fender Twin Reverb and a vintage Ampeg SB-12 that live in my studio) which then goes to an ISO cab called a Rivera Silent Sister (which I found out about from RAC) and I have two mics that live in there. Of course in the reamping it’s also very important to use a reamp box so that the impedance etc is correct for an instrument level input on an amp.

Tags: blendingLessonsLuciaPresentproductionSOUNDTimeless
Previous Post

Ramson Badbonez Returns to High Focus Records with “White Rabbit” Prod. by Leaf Dog (Album Review)

Next Post

Sony Music Publishing signs producer MTech to global deal

Next Post
Sony Music Publishing signs producer MTech to global deal

Sony Music Publishing signs producer MTech to global deal

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

Category

Advertise with us

To Advertise please email us info@sonfapitch.com Learn more

Misc

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Follow Us

Recent News

Check how your mix sounds through multiple popular headphone models with Kali Audio’s new HP-1 Multi-Reference Headphones

Check how your mix sounds through multiple popular headphone models with Kali Audio’s new HP-1 Multi-Reference Headphones

August 1, 2025
Why Netflix’s ‘Hitmakers’ might teach your average viewer about songwriting – and even get them thinking about ‘fair pay’

Why Netflix’s ‘Hitmakers’ might teach your average viewer about songwriting – and even get them thinking about ‘fair pay’

August 1, 2025
  • Contact Us
  • About Us
  • Privacy Policy
  • Terms & Conditions
  • Disclaimer

© 2024 Sonfapitch

No Result
View All Result
  • Music Production
  • Music
  • Hip Hop News
  • Music Business News
  • Shop

© 2024 Sonfapitch

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.
Go to mobile version